The drums take charge right away; everything else sits around that hard, regular push.

That long open voice turns the intro from just a beat into an invocation.

Here the words arrive inside the rhythm: fools dancing, an iron heart, the voice pressed into the band instead of floating over it.

The title phrase starts circling now, "Incubus Succubus," with the groove staying stern underneath it.

When she hits "Feuer," the arrangement doesn't explode; the word flashes inside the same tight drive.

The title comes back after the night-and-glow imagery, and the repetition feels more worked-in than new.

"No place for us in heaven" changes the room around the song; the beat keeps it grounded and narrow.

After that long fixed middle stretch, the fallen morning star line gives the ritual language a larger scale without lifting the track off the floor.

Now the words move deep below, where there is no light, and the band keeps the same severe forward motion.

The repeated "energy of the night" line names what the rhythm has been doing for most of the song.

The ending doesn't clear the air; the pattern just loosens and drops away.