The riff is already in motion: dry drum strikes and a distorted low guitar figure make a narrow, driving floor.

The voice enters as a long, rough-edged cry, more pressure than melody, riding on top of the same locked pattern.

With the voice gone, the riff shows its machinery: clipped, narrow, and still driving.

The return is layered and blunt; the vocal mass thickens the center instead of changing the pace.

A bare instrumental stretch opens, but it does not relax; the guitar keeps biting at the same small cell.

The voice comes back with a hard attack, pressed into the rhythm rather than floating above it.

By now the repetitions act like pressure, not development; the surface stays crowded while the pulse stays straight.

A new vocal phrase enters after the long held run, and the band gives it no extra space; the floor remains fixed.

The voice clears again, leaving sustained guitar and cymbal wash to carry the weight.

The vocal return near the end is brief and forward, a last push against a pattern that has barely moved.

The ending is residue: feedback, cymbal air, then silence.