It opens at full sprint, chopped percussion under a bright arpeggio.

A square-wave lead steps out front, buzzy and bright over the drums.

More leads pile on and the low end thickens, the stack filling up.

The drums drop away, and one rushing arpeggio climbs on its own.

Then the full breakbeat slams back in with a roaring bass underneath.

Sharp syncopated stabs chop across the wall now.

Sustained chords spread out behind the beat, the first real space in the stack.

Now it strips right back to a bouncy little ostinato and sparse drums.

The distorted drum wall hits again at full weight.

Leads trade fast rising runs over the locked beat.

Everything falls away, a soft bell-tone hook in open space, drums gone.

A bass pulse and rising snare rolls gather beneath it.

It all lands at once, the beat at maximum speed, leads stacked on top.

The bass starts grinding and bending under the fast arpeggios.

This is the long hold, the whole stack rolling full-tilt, break after break.

The wall starts coming apart, layer by layer.

Just the delay tail now, ticking down into silence.