The opening is all forward motion: clipped drums and bright, circling guitar leave almost no floor underneath.

The voice comes in close and firm, riding above the guitar’s restless upper edge rather than softening it.

By now the pulse has a usable seat. The guitar still flickers around it, but the rhythm keeps the body pinned forward.

The vocal line lifts into a higher, more sustained arc while the band keeps the same tight forward shove underneath.

The earlier vocal shape returns without a real reset; the recording changes the surface, not the engine.

The voice stretches longer now, putting steadier pressure across the top while the guitars keep their nervous motion.

With the voice out, the middle opens just enough for the guitars and bass movement to show their teeth.

The voice returns with more edge in the attack, pressed into the moving band instead of floating over it.

Near the end the upper surface crowds in: voice, cymbal air, and guitar brightness all press into the same narrow lane.

The drive spends its last hits quickly, then the hold loosens into the ending gap.