A warm, close strum opens it, with treble notes wobbling above — phased, like they're under water.

The voice lands right on top of the strum — close, dry, mid-register, no push behind it yet.

A light kit has touched in under the second verse, held well back, and a high guitar answers between the vocal lines.

A fill tips it over, and the ground arrives — bass and drums take the weight while the voice stretches into longer lines.

The chorus opens the frame wide — electric guitars step forward, the air brightens, and the voice pushes to match.

The verse figure comes back over the band — same strum, the floor still under it this time.

Same climb, different footing — the band never thinned, so the lift starts already in motion.

The chorus returns with more edge — the voice pressed forward, a lead guitar answering in the gaps.

No verse comes back; the chorus just circles again, the band holding its widest setting and the voice taking the high line once more.

The same short phrase, a third time — pressed harder, the band still leaning in behind it.

The voice is gone and the shape holds — strum and drums carrying the figure on their own.

It thins back to the watery strum — a last chord, left ringing out.