She starts talking before the band really comes in—who's allowed to name good and evil.

Here come the drums and guitars under her, fast and stiff.

Chorus. Her voice opens up on those crucify lines, but the guitars stay square.

There—she hits the title, Joan of Arc.

Now it's just burn, over and over, like another drum hit.

Second verse, same speed. The words get closer in—dirty hands, the stake.

Chorus back. Same lines you already know, no new argument.

Spoken part returns—good and evil again, then everlasting fire.

She's stacking blame me and sacrifice me on a short loop.

Last chorus. Same charge one more time.

After that last burn stretch, the band starts dropping out.

And it cuts off clean.