One clean electric guitar, strumming alone — bright, dry, steady.

A second guitar threads in above, a higher line over the strum.

A soft drum thud settles in under the guitars.

The voice arrives low and close, a soft grain just above the strum.

The strumming turns driving now, pressure gathering underneath.

The full band lands hard — distorted guitars, open drums, the voice gone rough and forward.

The voice climbs to one long high note, cymbals breaking around it.

Then the vocal turns percussive, short evenly-spaced pushes tight against the drums.

Between phrases the amps keep singing, feedback threading the gaps.

The distortion stacks into a single grinding wall, the whole midrange gone solid.

The voice comes back hard on top, the guitars having just carried the front line.

One long held note, drum rolls churning beneath it.

The phrases lift once more, and the band leans in behind them.

It ends on a hard cut — the band gone, feedback left ringing in the room.

Then even that thins away to nothing.