The groove is already doing a lot of the talking: bass low in the body, everything else close and hazy.

That high voice makes "Daylight" feel less like brightness than a condition he's waking into.

The offer turns into call and response here, with the backing voices answering inside the same easy pocket.

Now the warning is sounding: "stay woke" arrives without disturbing how smooth the track feels.

The second verse starts from regret, and the groove doesn't harden around it; it just keeps moving.

On this return, the warning has more voices tucked around it, so the refrain feels less alone.

The question changes the late section: "How'd it get so scandalous?" circles while the same patient groove keeps holding the room.

After the question fades back, the recording trusts the pocket again; the vocal and instrumental layers keep tilting without needing new words.

The last "stay woke" is long and spare enough to feel like a final reminder more than a new refrain.

When the pattern finally gives way to silence, the song leaves the mistrust unresolved.