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YAIMA

Mycelia

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Sellemain reads this experience. Use the position slider to seek. While narration is playing, select a sentence to continue from there.

Narration sentence highlighting is idle.

Soft low groove is already in. No hard downbeat, just a warm loop with little side hits leaning around it.

Hear that brief bright flicker up top? Voice slips in right with it, sitting inside the groove, not over it.

Same loop keeps turning. Next line lands, and the track just shows itself by repeating with small changes in the surface.

Here's the refrain. Starting to hear the Earth, then Standing to heal the Earth, still gentle and unhurried on that same ground.

Low part feels more in charge now under the water-and-roots line. Not louder, just carrying more of the loop.

Refrain back. Voice stays smooth, but the syllables tug a little across the beat instead of marching on it.

This line has a sharper human edge, and the band doesn't surge for it. Groove and warm harmony just keep going.

Refrain once more, then the words drop out and the loop has to hold the piece on its own.

No lead vocal here. Stay with the steady rhythm, the soft sustained bed, and those little bright bits that show up and go.

Voice comes back on the same refrain after that long hold. Same words, but they've got the stretch behind them now.

Late verse names silence, then turns soft and tender. The track stays close and warm right with it.

Last pass on the refrain. After Standing to heal the Earth, the groove loosens, thins out, and the song empties into quiet.

Example galdr signal analysis graph

galdr analysis

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Mycelia

YAIMA

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Music signal

body
0.00steady
weight
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density
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surface
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pressure
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Surface evidence

balance
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rough
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noise
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attack
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sustain
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band
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motion
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punch
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bass
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body band
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presence
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air
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bright
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perc
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Harmony + melody

pull
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coherence
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chroma
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anchor
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key
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mode
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melody
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range
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pitch
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galdr concepts

attention
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pattern
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release
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debt
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gravity
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Derived motion

rms
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peak
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onset
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low
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mid
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high
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flux
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