The opening is mostly breath and low resonance; the pitch feels held rather than moving.

A low drum pulse steps in, giving the drone a floor without making it feel light.

The first voice comes in close and dark, riding the beat instead of cutting across it.

Another voice joins, and the line gains mass more than volume; the blend thickens around the same steady pulse.

The voices pull back into the drone, leaving the drum pattern to carry the room for a moment.

Several voices gather into the same contour, turning the chant into a broader, darker band of sound.

The percussion eases back, and the sustained vocal tone takes over the center of the mix.

The low pulse returns underneath the softer voice, re-gripping the body without changing the song’s slow weight.

The voices widen again, stacked low and firm over the drum, with very little harmonic wandering.

Through this long span, the floor stays almost ritual-steady; variation comes from vocal pressure and register, not from the beat shifting.

The drum hits feel heavier here, and the voices lean harder into the shared line.

A higher voice enters above the low chant, opening air at the top of the texture.

A soft plucked string appears, small and dry against the sustained voices and drone.

The drum grip is gone now; each vocal line lands with room around it, and the gaps become part of the rhythm.

The last voice releases, leaving only faint air and room decay.