One line alone to start — a riff down in bass territory, with guitar grit in the bottom of the tone.

Drums land — dry, flat, close — and the riff turns into a groove.

The voice comes in dry and close, sitting light on top of the riff's weight.

The voice drops away, and a fuzzed-out lead takes the front — high, thick, sustained.

The lead stretches its notes out, bending high overhead, while the drums hammer flat below.

The lead lets go — back to the plain riff and drums, rolling on.

Voice again, same dry close-up, riding easy over the churn.

No voice now — just guitar and drums, and they fill the room on their own.

The fuzzed lead is back for a second pass over the same riff.

The voice returns, dry as ever, over the unchanged riff.

Now the voice works one short figure over and over, and the riff just keeps marching underneath.

The voice steps out, and the riff and drums take the ending from here.

No fade — it just stops.