The guitar and foot-stomp set the song’s walk right away: steady, plain, and close to the ground.

The first words come in women’s voices alone, still sitting inside that same strum and stomp.

The delivery stays very direct as the line names rich and poor; there’s no rush in the singing, just a steady statement over the guitar.

Male voices join the verse here, thickening the harmony while the pulse underneath keeps its same measured step.

The refrain opens wider with the choir on “the Great Collapse,” but the accompaniment still keeps that folk-march steadiness.

“We will rise again” lands as a repeated vow, carried by the group instead of a single lead voice.

The second verse doesn’t change the frame much; the same guitar and stomp carry harsher images into the room.

On this chorus return, the voices feel denser and the kick is more present, so the refusal has more weight without changing shape.

The bridge thins the texture just enough to turn the words forward; the pulse keeps moving while the sky and storm imagery opens out.

The harmonies expand under “the sun come up,” so the brighter image is also a wider sound, not just a change in the lyric.

The final chorus brings back the established words in a thicker choir texture, with the guitar still strumming underneath.

Now the title phrase starts answering itself in the choir, overlapping until the words become pattern as much as message.

The last “we will rise again” stretches toward the ending, and after the voices release, the acoustic guitar is left to close it gently.