The guitar starts with a plain, heavy riff, and the drums keep it moving in a very even line.

When the voice comes in on "every day's the same," it sounds worn, but the band doesn't bend around it.

The words turn to "everything is grey," and the guitars have already made the room feel low and closed in.

Here's the chorus: the melody opens up on "fine again," but the guitars still leave that phrase with very little air.

The "everything's gonna be fine" line rides a small harmonic turn, while the rhythm keeps walking forward like nothing has changed.

The second verse drops back into the same kind of pattern, now carrying the dream-expiring line with a rougher edge.

This return keeps the chorus shape, but "I can sigh again" makes the relief sound narrower than the first time.

By this repeat of "everything's gonna be fine," the steadiness starts to feel less comforting and more like the thing he's stuck inside.

The bridge turns "I'm not scared now" into a repeated insistence, and the band tightens around it.

Here the earlier drive loosens for a few seconds; the song suddenly feels more exposed before the final return.

The refrain comes back familiar, but it doesn't reset the song. It sounds more drained now.

"Prepared now" turns inward here, and the repeated "for myself" starts to narrow the whole ending around one phrase.

The last "fine again" arrives while the band is already close to letting the weight drop away.