The opening is already walking: clipped piano and dry strums share one steady tread.

The voice enters close and lightly grained, sitting above the piano instead of forcing the band forward.

The phrase shape tightens here, but the beat stays plain; the room simply feels wider around the same sway.

The arrangement settles back into its smaller frame, with the vocal surface again taking the front edge.

The returning refrain has more body underneath, though the grid still keeps everything easy to track.

Now the vocal line moves in shorter loops, and the band starts treating repetition as a place to gather weight.

The guitars roughen at the edges, filling the space behind the voice without knocking the pulse loose.

As the voice leaves, distorted guitar takes the foreground; the old piano pulse keeps tapping underneath the noise.

The distortion thins into feedback and air, while the piano pattern keeps its small, stubborn shape.

At the end, the remaining tone peels away, leaving the last piano resonance exposed.