A low electric groan opens the space, then the acoustic picking gives it a clear moving floor.

The voice enters close and dry, carrying a little breath at the front while the guitar keeps its small engine running.

The surface widens sharply: electric edge and drum weight come in, but the original strum is still tucked inside the motion.

The pressure steps back into a tighter groove. The band still moves fast, just with more room around the voice.

The backing gathers into a thicker block again, and the voice presses harder against it instead of floating above it.

A gritty guitar line moves to the front, using the same pulse as a rail rather than breaking away from it.

The heavy texture is back in focus, with voice and guitars packed into the same forward push.

The repetitions do most of the work now; the fast floor stays firm while the surface rides in a warm, grained band.

The last chord has already become decay; the pulse is gone, leaving only the tail.