0:00-0:46 Bare procession

• Guitar and voice define a narrow walking pace.
• The first section makes exposure the structural rule.

0:46-1:24 First chorus exposure

• The chorus widens the room without turning pain into release.
• More body enters, but the tempo remains a sentence being carried out.

1:24-2:32 Second descent

• The verse returns thinner and older, with memory replacing first shock.
• Structure repeats the path so the damage feels accumulated rather than new.

2:32-3:36 Late swell and closing step

• The largest lift arrives late and still does not solve the song.
• The close falls back to the plain procession that started it.