0:04-1:14 Phrase-world

• The structure begins after the opening silence as a small field of return: melody above, low support below, and a phrase that rises only to fold back.
• By 0:37 and 1:14, the piece has not changed its premise. It has taught the ear that repetition will be the form, and that small changes of color will carry the strain.

1:14-2:29 Pressure inside resemblance

• The middle does not announce a new scene. It thickens the same held state.
• Around 2:03, the calm begins to press harder from within: chords lean, accents breathe around the count, and the line keeps returning before it can become declaration.

2:29-3:43 Seam and continuation

• After 2:29, the structure starts to loosen without leaving its frame.
• The short silence near 3:27 is the clearest seam. It interrupts the walking pattern, then the re-entry makes continuation audible rather than automatic.

3:43-4:58 Older return

• The familiar material comes back with more exposed weight after the pause.
• Around 4:21, the late arc still has body, but the form is already changing from insistence into farewell practice: a return placed down with less force each time.

4:58-6:09 Release

• The final span drains force by thinning the phrase-world instead of breaking it.
• At 5:35 the forward motion recedes; near 6:04 the pattern frays; by 6:09 the closing silence has become the final structural event.