A clear sung voice starts right away on short syllables that almost sound like words.

Next cell lands just as clipped, still marking time more than saying anything.

Another brief group, same measured mouth-shape.

This fourth phrase stays open longer, and the beat under it feels steady but a little hard to sit in.

The voice steps back now. Little strikes keep landing off where you'd expect while the beat holds the line.

Voice is back with a new syllable pattern over that same stubborn beat.

It stretches wider here, then answers itself a few seconds later with only a slight turn.

Short close, then a quick lift—and here come the distorted guitars and heavier drums.

That first syllable cell returns right inside the thicker sound. Same figure, much more weight under it.

It loosens a little through here, not a full break, just enough air before the next sung entrance.

New vocal material comes in on that prepared space, still riding the locked beat.

The line widens again, and the surface keeps twitching with cuts and scrapes around the same forward pull.

Plain repeated syllables now. Easy to catch because almost nothing else has changed under them.

Another lift clears some of the upper mass, but the pattern doesn't empty out.

There's Dor i die again, late enough that you know it, and darker stuff is wrapped around it.

From here the singing turns more chant-like while guitars and drums keep circling the same ground.

Different mouth takes over—a heavy male metal voice, blunt on that first syllable.

The weight lifts, and a couple seconds later the whole thing is gone into silence.