The pulse is already strict here, low and hand-made, before any voice enters.

Now the voice starts placing names into that fast beat: "Gunr Hildur Gudhur Herdjoetur."

"Svanhvit Randgridhur" flashes by, but the arrangement doesn't stop for it; every name gets the same push forward.

The list begins again. Nothing announces the return except the first names coming back on the same pulse.

When "Svanhvit Randgridhur" returns, the route is familiar now, so the small changes are in the voice and consonants, not the harmony.

A third pass starts, and the piece is still choosing repetition over surprise. That's where its weight comes from.

This middle stretch keeps the same materials moving: warm held sound underneath, the chant cutting across it in short bursts.

The opening names come back for the last circuit, still controlled, still close to the beat.

Late in the final pass, "Svanhvit Randgridhur" is still carried exactly like before, but now the recurrence feels like an ending taking shape.

"Thoegn Valgunth Lidgaendi" begins the last held line, and the track starts letting go without making a big gesture out of it.

The pulse drops away in pieces here. The pattern has stopped, but the ear still waits for it to restart.