0:00-0:30 Entrance from silence; verse held back

• Roughly five seconds of silence open the recording, so the arrival reads as one event: the track enters near 0:05 with the quick tempo already running, and the pulse locks within a few seconds.
• An instrumental stretch around 0:12-0:20 — handclaps and what sounds like crowd noise out front — plus a spoken cue near 0:24 hold the sung verse back until close to 0:30.

0:30-1:42 First sung stretch over the running pulse

• The voice enters on long, unhurried lines set wide apart against the fast pace; as the stretch proceeds the lines cluster (about 1:04-1:38) and the energy steps up with them.
• The job here is introducing the voice while the pulse carries the continuity, with the later repeated closing lines first appearing in this stretch.

1:42-2:12 Turnover: the first clear weight turnover

• Around 1:46 the sound gathers into the track's first clearly heavier passage, then eases by 1:49 back to the running level. Nothing stops — this is the hand-over point where the opening block is spent and the fuller weight is established.

2:12-3:04 Reload and reprise

• A new sung entry at 2:12 coincides with the sound gathering again at 2:14; the second cycle runs the same contract as the first.
• By 2:44, and again at 3:00, the paired lines from the first stretch return in order — repetition doing the closing work, confirming the refrain rather than introducing new material.

3:04-3:37 Final push, then a clean stop

• The sound gathers a third time at 3:04; through 3:22-3:33 the level lifts and re-gathers in quick exchange, spending the last of the energy under the voice.
• At about 3:37 the music stops outright into silence — a cutoff, not a fade.

3:37-3:46 Gap, one last chord, decay

• After roughly three seconds of silence, a final full-band chord lands near 3:41 and is left to ring out, thinning to nothing by the end.