It starts in a bright, wordless haze — stacked voices and synth shimmer sketching the pulse before the floor arrives.

Eight seconds in, the floor arrives — a round, rubbery bass, dry snapping drums — and the voice drops in right on top of it.

Second voices slip in behind the lead now, and the synths step up a little brighter.

The chorus opens the room wide — the lead rides higher, harmonies tucked in close, a bright wash settling over the drums.

The stack clears out, and it thins back to that ticking synth from the opening, drums still holding the pulse underneath.

The voice drops back in, easy and close to the drums, and the bass keeps walking like it never stopped.

The chorus comes back in the same bright stack, same walking bass — a pocket that doesn't wander.

The singing loosens into short, spaced calls now, with little bright shouts answering in between.

Here the phrasing turns percussive — quick, clipped lines landing right on the drums, the voice joining the rhythm section.

Now every line gets an answer — small echoes tucked just behind the lead, the vocal stack thicker than it's been so far.

Last chorus, and underneath it the beat still hasn't shifted — same tempo, same step, since the floor arrived.

The last word hangs there, and the whole groove quickly withdraws with it — a fast fade into silence, then quiet to the end.