0:00-0:08 Ignition

• A brief prepared silence gives way almost at once to the Allegro molto mechanism.
• The movement's first rule is speed under control: tight grid, hard entries, and no ceremonial buildup.

0:08-0:23 First proof of the motor

• The opening figure does not expand so much as insist.
• Weight briefly lifts, exposing how much of the form depends on repeated cells and bow attack rather than broad thematic unfolding.

0:23-1:09 Weight added to the same drive

• More force gathers underneath the already-established motion.
• The section does not release into contrast. It makes continuation harsher, pulling quoted memory and self-reference into the same rushing frame.

1:09-2:01 Extended runway

• The texture lightens again, but the form does not reset.
• The movement uses duration as pressure: same pulse, same forward command, enough internal shift to keep the grid from becoming neutral.

2:01-2:33 Reload, stumble, cut

• Weight returns under the pulse for the last run.
• A small drop and lift around 2:14-2:17 mark the final internal turn before the motor begins to lose grip near 2:26.

2:33-2:44 Terminal gap

• The closing silence is not another section beginning.
• It is the form emptying after the driven machine stops.