0:00-0:10 Threshold and first withdrawal

The opening keeps silence for about five seconds, then lets the low entry establish the track's scale. The brief withdrawal around 0:09-0:10 never resets the form; it behaves like a first breath before the count starts hardening.

0:21-0:44 First pocket lock

The first clear body-capture span gives the piece its structural rule. Instead of a verse-like argument, `Ulfhednar` builds from repeated impact, resonance, and return, so the section feels like a formation finding its step.

0:48-1:26 Longer main lock

The second pocket lasts longer and makes repetition the dominant event. Small lifts and drops matter because they are measured against a stable low ground, not because they create a new melodic section.

1:32-1:35 Continuation gap

The internal silence is the hinge. It thins the surface for almost two seconds, but the reentry comes quickly enough that the gap sharpens continuity rather than offering relief.

1:35-2:13 Post-break carried state

After the seam, the track resumes with a stricter sense of claim. The pulse, low resonance, and repeated contact pin attention in place, making the middle feel like a deeper occupation of the same ritual path.

2:53-3:29 Late endurance return

The late pocket brings back the body's lock without pretending to be a new idea. Its job is endurance: the same force remains active, but the listener hears it now as a test of how long the pattern can stay alive.

3:36-4:20 Final endurance and terminal silence

The last span extends past ordinary release logic, then attention starts to unhook around 4:13. By 4:20 the terminal silence has arrived, and the structure closes by withdrawing the count after making the body carry it.