The low beat has settled into a planted step, steady and close to the ground instead of pushing forward.

“Limrúnar skaltu kunna” enters as instruction, and the voice makes the rune words feel like something learned by repetition.

The same opening line returns, so the chant doesn’t develop outward so much as drill the phrase deeper into place.

Here it loosens just a little; the count is still firm, but the sound opens enough to feel more exposed.

The reliable rhythm cuts away into a hard gap; because the step has been so steady, the absence has its own command.

When the rhythm returns, it doesn’t brighten; it simply resumes the same ordered tread.

The final “Limrúnar skaltu kunna” comes back inside the resumed pattern, tying the rune instruction to that same steady step.

Near the end, the chant and low rhythm keep their ritual shape; the music drains away without turning into battle noise.