0:00-0:35 Prepared entry / first lock

The opening contains a short silence, then lets the low pattern gather before the track fully claims the body. Around 0:31, attention lifts into the pulse; by 0:35, the rhythm has become the first stable rule rather than a decoration around the track.

0:35-1:34 Pulse engine and first withdrawals

The first long body-lock makes repetition the form. The section does not move by verse or chorus logic; it moves by phrase drops, renewed pressure, and small lifts that keep returning the listener to the same dark count.

1:34-2:31 Stepped middle circuit

The middle keeps the engine severe by making the returns feel uneven. Drops and lifts around 1:38, 1:50, and 1:52 keep the pulse from becoming passive, while the section still refuses any clean release from the main pattern.

2:31-4:02 Air, return, and longest sustain

The track opens enough space around 2:31 for the circle to be heard rather than simply endured. Weight returns by 2:39, and the long 2:58-3:58 sustain becomes the central structural proof: the piece can stay alive through pressure instead of new events.

4:02-4:48 Drain and terminal decay

The late drop at 4:02 begins the ending by reducing force, not by resolving it. Small lifts and falls pass through the final minute, attention slips after 4:33, and the clustered pattern breaks around 4:41-4:46 leave the track to cool into silence.