That low pulse is already moving fast, but the dark sustained sound around it keeps it boxed in.

Wolfe’s voice comes in low in the mix with “Run from the light,” and the beat underneath is steady enough to hold the line in place.

“Deep in the wander” fits this section exactly: the rhythm keeps traveling, but the harmony stays close and doesn’t really open.

The lyric has turned from flight into pursuit now, and the pulse stays almost mechanically even beneath it.

When “Black like an animal” returns, it sounds less like a new image than a mark pressed back into the same dark surface.

“Crossing the water” opens a different picture, but the track itself keeps its narrow, repeated drive.

Now “We press for the water” changes the stance of the song; that repeated word, “press,” starts to feel percussive against the beat.

The answering voice doubles the phrase from inside the mix, so the refrain widens by repetition more than by any sudden expansion.

After the refrain, the grip starts easing; the pattern is still there, but the forward push is draining out of it.

By here the song is breaking into fragments, with the force receding instead of giving a clean final release.