Just the kit to start — dry, close, tightly wound — with quick slivers of turntable flicking across the pattern.

A single distorted guitar cuts in, wiry and midrange-heavy, circling over the beat on its own.

Bass and a second guitar lock in beneath it — the groove suddenly has a floor.

The voice arrives dry and up close, clipped syllables snapping right against the grid.

Now the guitar answers back — short distorted jabs trading turns with the voice.

The voice breaks into a scream and the band lands hard behind it — wide distorted guitars, bass, drums at full drive.

Back down to the clipped delivery, the band tightening around it, guitar reduced to accents.

The scream returns at the same height, riding the full wall of guitars again.

The heaviest stretch eases its grip — the mix steps back and opens some room.

Turntable cuts slash across a stripped groove, stray shouts flying over the top.

The big riff slams back in — full band, wide and driving, no introduction.

The voice steps out, and the riff and turntables pass the lead back and forth.

Loose shouted flickers tumble around the soloing guitar.

Then the scream cuts back in, full-throated, right on top of the riffing.

Voice gone again — the scratching takes the foreground, slicing across the groove.

A long outro jam settles in: guitar soloing on top, turntables cutting below, high pinched shouts flickering across it.

The band plays straight through while the mix recedes — a slow fade, the groove still turning as it sinks.

Almost gone now — the last of the beat dissolving into quiet.