The track opens close and tense: voice right up front over a soft, thin synth pulse, with little bottom underneath.

Amy Lee enters inside that motion, so “I toil in silence” doesn't float by itself; the beat is already carrying it forward.

“Cut myself open, but I wasn't broken” lands over a texture that's still cut into clean, hard blocks: voice up front, low drive underneath, bright edge around it.

The chorus gathers weight, but it doesn't loosen the count. The hook stays dragged through the same steady pulse.

Poppy changes the angle in the second verse. The sound keeps its warm dark bottom, while the top still has that polished grit.

When “Can you feel it taking over?” comes back, the groove has already made the answer physical; it keeps filling the space without rushing.

Courtney LaPlante's scream makes the hook hit harder, but the force is still disciplined. The guitars and low rhythm hold their line instead of turning chaotic.

The late section bends the surface: sharper vocal edges, more disturbed brightness, but the groove underneath stays counted.

“All I wanted was stolen” comes through with the music still moving straight ahead, which keeps the anger active instead of letting it sag.

The final hook softens inward on the end-of-you line. After so much pressure, that quiet return matters.

The ending empties quickly, and the pulse leaves an afterimage even as the track lets go.