0:00-0:41 Intro delays the voice; verse 1 introduces it

• The track opens on solo acoustic guitar, the pulse settling almost at once, so the first seventeen seconds exist to make the voice wait.
• The verse enters soft at 0:17 over that unchanged guitar. Around 0:32 the vocal starts pushing and light percussion joins near the verse's end — the first widening toward the chorus.

0:41-1:12 First chorus opens the arrangement

• The band steps in on the hook — here goes nothing — the track's first real change of scale, with a harmony vocal joining in the chorus's back half to prove the refrain.
• The cycle then hands off through a short guitar break just past 1:10.

1:12-2:32 Second cycle reloads, then breaks its pattern

• Verse 2 re-enters around 1:15-1:20 on the fuller band, the confession still pending — it's on the tip of my tongue — until the timing payoff tips it into a second chorus, arriving fuller around 1:45-1:50.
• Then the one formal detour: the texture thins toward lone guitar (roughly 1:55-2:05), and the core line — something about telling someone you've been loving that you love them — returns soft around 2:08 before the band swells back for an instrumental run toward the last verse.

2:32-3:00 The answering verse and the last full chorus

• Verse 3 (~2:32) turns the lyric outward — an answer rather than a vow (thinking the same thing too) — with harmonized vocals rising beneath it by ~2:40.
• The final chorus (~2:51) stacks every hook at once.

3:00-3:47 Solo delays the last word; the close returns to lone guitar

• A short guitar solo around the 3:00 mark withholds the final statement; harmonized voices return by ~3:10 and the declaration lands at 3:18, the whole song's pending line finally stated in full harmony.
• The band releases around 3:36-3:41, falls away to the lone acoustic guitar, and a final chord rings out and decays into the ending.