Groove and brass lock in first. Short tags name the cut—Uhun, remix, Mr Flavour pon the dance, On ashawo remix—before the hook arrives.

Nwa baby, nye me ife gi repeats until the line turns and the verse opens: fire, boys, and the first run of party images. The vocal carries the form while the band stays thick underneath.

Waka waka, wuru wuru, and corner corner stack into the mama/papa call, then Baby sawaleh seals the first chorus block and clears space for the break.

Kpom kpom kporokotom and kpakolo kpa take the center; ashawo / awusha and the eh chain keep the body moving without new verse story. A laugh tags the exit.

The Nwa baby hook returns intact, then a second verse (Lai lai, suya, alcohol, money) feeds the same waka waka / sawaleh refrain chain. Repetition does the work: the frame still holds.

The kpom break comes back complete, then thins toward the close. Final tags—Mr Flavour pon de dance, Remix—stamp the cut as the groove fades out.

Two verse–refrain cycles around matching percussion breaks; the song ends by restating its dance contract rather than resolving a story.