Bass, drum-machine pulse, and soft lead vocal enter together. The opening lines (Oh my, my, my) ride the already-steady groove rather than waiting for a later drop-in.

The lyric frame tightens into verse delivery over the same held pocket. Backing color stays light; the section’s job is to plant the song’s reflective speech without breaking the motor.

On and on and on and on arrives as the first true hook statement. Harmonies thicken around the lead while the groove keeps its seat, turning repetition into the track’s central contract.

A new verse span (I was born under water) reloads the earlier speech rhythm. The pocket does not reset; the form simply keeps walking the same path until the next refrain is due.

The hook re-enters and reconfirms the frame. Density and role stay close to the first chorus, so the return itself does the formal work.

A middle lyric turn (I am feeling kinda hungry) briefly changes perspective, then the song folds back toward verse/refrain material. The final on and on statements and soft ad-libs ride a thinning groove into fade rather than a hard close.

The whole track stays inside one stable pocket; form is made by verse–refrain cycles, one mid-song turn, and a gradual release.