The opening guitar leaves space around every block of the riff; the gaps are as shaped as the notes.

The rhythm section joins in layers, not all at once. The riff keeps its square outline while the floor firms underneath.

By now the figure is no longer a lone hook; low end and sustained color make it feel like a compact machine.

The voice comes in dry and forward, almost level with the guitar. Its clipped attack fits inside the riff instead of floating above it.

The verse keeps the riff on a leash: short guitar answers, steady kit, and the voice carrying the front.

The repeated vocal shape presses harder, but the band does not spread wide. The weight comes from leaning into the same narrow lane.

When the voice clears, the guitar figure reclaims the center, and the mix feels more angular again.

The returning voice has a little more grit, but the backing stays disciplined: drums mark the road while the guitar answers in blocks.

The hook returns with a thicker vocal edge, then leaves the instruments with a charged repeating floor.

The lead guitar rises above the riff with a brighter, thinner edge. Underneath, the rhythm section stays almost stubbornly even.

The solo stretches sustained bends over a beat that refuses to sway with them.

The voice returns after the solo with more room around it; the groove is still fixed, but the surface has cooled a little.

The final vocal passage presses harder at the front, with guitar and organ packed behind it rather than spread wide.

Past the last sung line, the guitar takes over in bright, cut-off phrases while the band keeps the same heavy rectangle underneath.

The ending does not break; it lets the pattern run down until chord edges and cymbal air are what remain.

The last decay falls into plain silence.