0:00-0:31 Silence and re-entry rule

• The movement begins by making silence active: the first strong entry around 0:04 arrives after several opening gaps.
• Small returns near 0:15 and 0:18 establish the governing behavior: sound appears, withdraws, and returns altered.

0:31-2:10 Suspended field

• The early material becomes more continuous without becoming settled.
• The structure is not a march forward; it is a held field where sparse phrases keep testing how much pressure the quiet can carry.

2:10-2:46 Drain and hinge

• Around 2:10, the first hold starts to drain through shorter falls and recoveries.
• The quiet near 2:34 works as a hinge, forcing the field to reassemble before the renewed grip around 2:46.

2:46-5:24 Central concentration

• The middle span keeps returning to the same charged surface rather than presenting a clean new scene.
• The strongest weight arrives through restraint: sparse texture, small hard marks, and a peak-weight region across the fourth and fifth minutes.

5:24-6:43 Late gathering

• After the central weight, the music gathers again with less mystery and more memory of the rule it has already taught.
• The re-entry cluster around 6:40-6:43 feels like the last tightening of the suspended form.

6:43-7:42 Withdrawal and terminal decay

• The late structure releases by fracture, not by a solved cadence.
• After 7:18, withdrawal and rupture turn silence into the closing material; by the final decay, the structure has disappeared into the space that made it possible.